...this duet session from Boston-area guitarists Garrison Fewell and Eric Hofbauer both dazzles and beguiles...A diaspora of titles alludes to the wide ranging influences brought to bear through this delightful but uncompromising set...[a] richly rewarding disc, resonant of other cultures and other times, yet firmly of its own.

—John Sharpe, AllAboutJazz.com

Like conversations between two distant friends, the dialogs of these skilled improvisers speak of familiar and unfamiliar territories that are at many times intriguing and trans-cultural. The opening dissonant plucks heard on the "Prologue: Before the Dream," the gut-bucket blues in "Dogon Delta Blues," or the rural patchwork of the title selection, all suggest locales that are at once foreign and native. The recording ends with its longest and most emotive number, "Farsighted Friendship," a fitting conclusion to a memorable work of creativity.

—Mark F. Turner, AllAboutJazz.com

This seemingly unmatched pair join beautifully in a program of progressive ethnic-influenced music that taps from bop and fusion, Middle Eastern folk forms, and much freedom. What sets them apart, especially evident on the title track, is the resonant use of sticks on strings, combining Arabic inferences with a Western sensibility. Where guitar fans should find this intriguing to the nth degree, the general public interested in improvised music should also find that Fewell and Hofbauer make compelling music worth more that a few listens.

—Michael G. Nastos, All Music Guide

Fewell and Hofbauer are both players acutely aware of the sonic potential their instrument has to offer, and that awareness is one of the many qualities that combine to lift the music on The Lady Of Khartoum well above the run-of-the-mill...the duo's economy lends to the proceedings the kind of dignity that seems like an increasingly rare quality. It all adds up to something special in the sense that the very restricted tonal palette that two guitars can offer is effectively trumped by the wealth of ideas and the sharp musical reflexes of the two players concerned.

—Nic Jones, AllAboutJazz.com